Movies: Pierre Hébert

This feature documentary about education explores the mid-century state of learning in the classrooms of North America. New approaches to learning and the emerging technologies that facilitate them are explored, including the new roles of the compute...

A meditation on the passing of time, on a film that was never completed, upon Bazin’s death, on restoration and the future of ruins and on modern-day life that continues in resonance with the old stones....

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This is a poetic and animated meditation inspired by two trips the director made to Japan. Images and sounds from daily life as well as recordings of his performances, most notably one with the dancer-choreographer Teita Iwabushi. There is no story a...

A hand-made, scratched-on film experiment in intermittent animation. The images are a group of twenty-four visuals, all non-representational, which arrange and rearrange on the screen in many combinations. The result is a changing pattern of sound an...

Trying to describe oneself is a movie about representation. How it is possible, through film, to describe oneself and describe others. With the camera as mirror and third eye. At first, a collage-like combination of letter-writing, investigation and ...

In Adieu bipède (1987), Hébert turned to performance, using the scratching technique for the scenes with dancing and music. He used the same technique in La Lettre d'amour (1988)....

First, about ten years ago, there was a text by Paule Marier. Then, René Lussier made a song from that text for his 2014 album (Toucher une âme). Jim Corcoran translated the text to English and recorded it for his CBC radio program, but instead he de...

An early experiment in employing computers to animate film. The result is a dazzling vibration of geometric forms in vivid color, an effect achieved by varying the speed at which alternate colors change, so producing optical illusions. In between the...

This haunting animation film, rich with symbolism, is the filmmaker's plea for a peaceful world in which to raise his newborn son. Using the menacing imagery of the howling wind, the artist provokes viewers to reflect on the insanity of war. While th...

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A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art....

Abstract film by Pierre Hébert, originally made in 1964 and remastered in 2007....

A film in cut-out animation depicting the demographic problems of the world. It shows that in many countries freedom from the old scourges of famine and disease has in turn created the new problem of more mouths to feed. The film suggests that wealth...

"A film in which both sound and image were created with a minimum of photographic or electronic equipment. The images are a few simple geometric forms – squares, circles, lines, ellipses – arranged and counter-arranged to generate an increasing numbe...

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This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the phil...

In this animation film without words, filmmaker Pierre Hébert and musicians Robert Lepage and René Lussier worked together, and separately, in their respective media. This cinema/music performance recreates, impressionistically, the dehumanizing envi...

A satirical, updated take on the classic Jean de La Fontaine fable....

Miya Masaoka uses music to interact with plants and insects; Jon Rose turns fences into musical instruments with a violin bow in conflict zones ranging from the Australian outback to Israel; John Luther Adams translates geophysical phenomena in Alask...